Florian Habicht: Actor, Director, Producer, Co-Writer

Florian Habicht was born in Berlin in 1975 to German/Austrian parents, and immigrated with his family to New Zealand in 1982. He is the son of acclaimed sixties photographer Frank Habicht.

Florian studied film making at the Elam School of Fine Arts in Auckland New Zealand and at the Binger Filmlab in Amsterdam.

He is responsible for some of this decade's most original New Zealand films. His debut feature Woodenhead, a Grimm inspired musical fairytale, became a cult hit in New Zealand, and has screened in international festivals as well as being distributed in the U.S.A. by Olive Films. The film is renowned for the innovation of recording the entire soundtrack first, (including the dialogue with different actors) before shooting the visuals for the film.



This was followed by iconic documentary Kaikohe Demolition which was released theatrically throughout New Zealand and won best digital feature at the New Zealand Screen Awards. It is studied in Universities and Schools throughout New Zealand, and has been screened on Television locally and internationally.




In 2008 Florian completed the hybrid documentary Rubbings From a Live Man, a documentary performed by and based on the life of performance artist Warwick Broadhead. Broadhead re-enacts the highest and lowest points of his life through various alter-egos and vignettes that lavish his story upon the screen.Rubbings from a Live Man has screened in Festivals and Galleries in Sydney, Edinburgh, Dublin, New York, Berlin and throughout New Zealand.

www.rubbingsfromaliveman.com

In July 2009 Florian unveiled Land of the Long White Cloud. The documentary returns to the Northland locales of Kaikohe Demolition, but moves on from crashing cars to a five-day fishing competition held on 90 Mile Beach. The film premiered in July 2009 in Auckland shortly before he took up the inaugural Harriet Friedlander New York Artist Residency from the New Zealand Arts Foundation.

Florian recently returned from his year in New York with his latest film born from his experiences there. Love Story has been picked to open the 2011 Auckland International Film Festival.

"Florian is a surprising, resourceful, thoroughly independent film-maker and artist. He is a true original - at once a fantasist and a documentary-maker, a dreamer and an observer."- Gregory O’Brien, New Zealand City Gallery Wellington Curator and advisor for the New Zealand Arts Foundation.

Filmography
Liebesträume (2000), Woodenhead (2003), Kaikohe Demolition (2004), Rubbings from a Live Man (2008), and Land of the Long White Cloud (2009).
 
 
Masha Yakovenko: Actor

Masha was born in Russia to Ukranian parents. She describes a feeling of being an alien of sorts in both countries, never spending a school year in Ukraine nor a summer in Russia.

In 1998 Masha moved with her family to the United States and she finished high school in suburban American Midwest. She moved to New York in 2003.
Masha studies psychology, art and theatre. Masha says that acting forces you to make a choice where there is no correct one. "In some way I grew up with the idea that everything has a solution, like math, there is a goal and you just have to figure out how to get there, but that goal is definite and predetermined. I've come to regard this way of seeing as untrue and impossible because we are the ones that infuse life with meaning. I've spent the last 10 years learning to 'get out of my own way' and acting is one of the best tools. It is terrifying and it is child's play."

Masha is currently involved in a project with theatre company Waxfactory.


Masha on Love Story

Masha enjoyed the interaction with Florian as actor/director and the reality of the interactions in Love Story.

When asked to describe how it was to be in a film written by people on the street, she answered; "It affected me through Florian, I just see him as a flower with a multitude of petals and they are all different colours. I loved it."
 
Love Story world premiere party at the Civic Wintergarden. Pictured: Marc Chesterman, Bob Van der Wal, Florian Habicht, Peter O'Donoghue, Maria Ines Manchego, Jon Baxter.
 


Frank Habicht: Actor and primary bathtub skype advisor


Frank is Florian’s Father, brother and best friend. Frank is Florian’s filmaking ‘coach’ in Love Story. Frank was super excited about his son making a film in NYC, and would regularly check the weather in NYC from his home in the Bay of Islands during the shoot and offer advice and ideas via skype.

Frank taught Florian b&w photography and has acted in his sons films Liebestraume, Rubbings from a Live Man, and played Santa in Kaikohe Demolition. (Not the Santa the kids attacked one year…)

Born in Hamburg in 1938, Habicht began his career as a photographer in 1960 attending the Hamburg School of Photography, from which he graduated in 1962.

He quickly became established as a freelance photographer and writer in Europe submitting works to be published in magazines including Camera Magazine, Spigelreflex Praxis, Twen, Jasmin, Esquire, Hoer Zu, Die Welt, Sunday Times (UK) and The Guardian.

Habicht also gained employment working as a stills photographer for film directors, Bryan Forbes, Roman Polanski and Jules Dassin (1965-68), as in-house photographer for the Playboy Club in London (1970) and as a freelance photographer for Top of the Pops (1969). These encounters provided Habicht direct access to international pop idols and film stars who became subjects of his most celebrated photographs and included Mick Jagger, the Rolling Stones, actor/director duo Jane Birkin and Serge Gainsbourg, actors Vanessa Redgrave, Marty Feldman and Christopher Lee, director Roman Polanski and photographer Lord Lichfield.

Habicht’s images capture the uninhibited spirit of the 1960s offering a glimpse into the heady period that still manages to arrest the imagination some forty years later. His book Young London, Permissive Paradise, a social document on London's youth, was published in the late sixties. Another photographic book, In the Sixties (Tandem Press & Axis Publishing London 1997), juxtaposed those who achieved international fame with the unnamed people not recorded in history books. Florian Habicht’s new film project Permissive Paradise is inspired by Frank’s experiences as a photographer in London during the sixties.

In 1981 Frank left a successful international career to reside in New Zealand’s Bay of Islands, drawn to this unique country for its beauty and tranquillity. He now spends much of his time devoted to creating images that celebrate the landscape and community in and around the Bay of Islands where he lives. His two books, Bay of Islands Where the Sunday Grass is Greener an acclaimed satirical pictorial on New Zealand’s Bay of Islands with Kiki and Helme Heine and his recent Bay of Islands A Paradise Found with Bob Molloy (Totara Press, Paihia 1995) capture the fun and friendship to be found in this stunning part of New Zealand.

In October 2004 Frank exhibited his Karma Sixties collection at the Colette Gallery in Paris. In July 2007 Random House published Frank & son Florian Habicht’s photographic book I DO .
Frank’s Auckland exhibition in June 2007 Hightide and Green Grass attracted nationwide critical acclaim and New Zealand’s current affairs TV show Sunday paid homage to his work of this immortal decade.
A party in the spirit of the 'The Sixties' was held in Moscow on April 18, 2008 at the exclusive Arterium Gallery to celebrate the opening of Habicht's exhibition. Paris Hilton was one of the celebrity guests. Funds were collected by the charitable foundation Peace Planet in aid of orphaned children.


www.frankhabicht.com

 

Maria Ines Manchego: Director of Photography (drama)

Aucklander Maria Ines Manchego is a photographer, cinematographer and director living in hipster ground zero - Brooklyn, New York’s Williamsburg.

She studied Film and Philosophy at Auckland University and then went on to complete a one year certificate programme in General Studies at the International Centre of Photography in New York City.

Maria Ines has worked in the New Zealand film industry for several years. She assisted Vincent Ward on River Queen and Armagan Ballantyne on The Strength of Water. She has worked in a film production company in Sydney and on small independent films in Los Angeles and New York such as Breaking Upwards.

Maria Ines now works as a director at The Colony, a New York based collective made up of directors, designers, animators and artists set up to pool resources and create advertising. To date she has made commercials for Vietnam Airlines, Hangar One Vodka and HBO.

She is part of and exhibited with BADCAT Collective (Brooklyn Association for the development of Camera based art theory). Her video installation Doorsien Cast was exhibited at the International Center of Photography and her solo photography project Civic Haze was selected in 2010 (when it was still in development) for the Summer Staged Competition, a group show in Chelsea NYC.

Maria Ines is currently working on a music video and short film script. Love Story is the first feature she has shot.

Maria Ines’ website
www.mariainesmanchego.com



Maria Ines on Love Story:

Working on Love story was a different, interesting and at times demanding experience. When we shot it was a very hot summer in New York, most of the time it was just the three of us moving around the city with a melting cake.

We shot this unscripted and as guerrilla style as you can get from attaching the microphone with sticky tape to my shoulder mount, dealing with NYPD, and relying on the interaction and unexpected results you get by shooting in a city full of characters who aren't camera shy!

 
 

Peter O'Donoghue: Editor


Peter O'Donoghue is a digital filmmaker and freelance editor based in Sydney and working in Australia and New Zealand.

After collaborating informally on Florian's earlier films from the sidelines, Peter first became part of the 'official' team as editor on the 2009 documentary Land of the Long White Cloud. This cemented the working relationship which was taken up a notch with Peter's role as co-writer and editor of Love Story, written, shot and edited (not always in that order) from mid 2010 to mid 2011. Peter takes great joy in wondering where this creative partnership and bending of the rules will lead next.

In addition to helping make Love Story and doing some smaller editing projects, Peter is also currently directing a long form documentary on growing old in China, set in the parks of Shanghai and Beijing and produced in association with Film Camp, Sarah Wishart and the South Australian Film Corporation, which will finish shooting late 2011 and be ready for release mid 2012. He has made two short films, Hear No Evil which screened in NZ and international festivals in 2008/09, and Super Man starring Matthew Sunderland and Niamh Peren which will be released later this year.

Peter’s website: www.peterofilm.com
 
 
Marc Chesterman: Sound Designer

Marc has worked with Florian as either composer or sound designer on Love Story, Land of the Long White Cloud, Rubbings From a Live Man, Kaikohe Demolition and Woodenhead. They first worked together on the 1997 16mm short film Liebestraume. These projects have involved a large amount of collaboration and Marc has also been responsible for locating much of the source music for these films.

Other film projects include composition for Eating Sausage by Zia Mandviwalla and sound mixing for Michelle Savill’s Martin & Snakes. Marc created complimentary environmental soundscapes and music for Animalia, an interactive video installation created by Angela Main and Caroline McCaw.

Marc's career started as the drummer for alternative rock trio Lushburger (1990-91). He went on to perform & release CDs with experimental rock band Sudersuk (1994-98), performance group Sone (1996), and with the improvising trio Audible 3 (1999-2007).

Marc’s film soundtrack work developed out of sound design work in theatre for numerous companies including Auckland Theatre Company, Massive and Pandemonium. He toured internationally with Mau Dance Theatre attending Venice Biennale 2003, Holland Festival 2005, LIFT Festival London 2007 and Mostly Mozart Festival New York 2008.

Amongst sound and music projects Marc also works as a Studio Operator for Radio New Zealand in Wellington & a Sound Assistant for Sky Television.
Marc's website: www.marcchesterman.net

Marc on Love Story:

The film itself contains a story about the making of a film so we thought why not use 'film music'? Ennio Morricone and Nino Rota are two of our favourite and most inspiring film composers as well as some of the biggest names in the world of film composing.

It's a simple equation; you’ve got to love the music that goes into the film, be it composed or licensed (and that box is certainly ticked) then of course you've got to marry the sound with the pictures and the narrative feeling.

There's quite a swift pace to this film so the music compliments that with a jazz feel that is predominantly about momentum and forward progression, pushing against time. The tracks are not overly emotive, they don’t tell you to feel a particular way - they’re more about momentum and providing energy and drive.

There's also a fine between reality and fantasy in Love Story. The music and sound both play a role in identifying those scenes and spaces to the audience. Early edits of the film saw all sound completely disappearing during fantasy scenes. Now what we've ended up with is a very slight layer of sound in the distance. I love this line between just being able to make out sound... and silence.
 
 
Credits
pictures for anna

presents

a florian habicht film

in association with the
new zealand film commission

and the arts foundation of new zealand

laughing whale films limited
& metropolis film limited

Love Story

Starring Masha Yakovenko, Florian Habicht, Frank Habicht and the people of NYC
Written by Florian Habicht, Peter O’Donoghue and the people of NYC
Director of Photography: Maria Ines Manchego
Editor: Peter O’Donoghue
Sound Design: Marc Chesterman
Music by Georges Delereu, Nino Rota, Ennio Morricone, Marc Chesterman, Killer Ray, Lalo Schiffrin
Re-recording mixer: Phil Burton
Soundtrack mixed at Underground Sound, Wellington
In association with the New Zealand Film Commission and the Arts Foundation of New Zealand
NZ distribution: Gordon Adam, Metropolis Film Ltd
 
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