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Florian
Habicht: Actor, Director, Producer, Co-Writer
Florian Habicht was born in Berlin in 1975 to German/Austrian
parents, and immigrated with his family to New Zealand in 1982.
He is the son of acclaimed sixties photographer Frank Habicht.
Florian studied film making at the Elam School of Fine Arts
in Auckland New Zealand and at the Binger Filmlab in Amsterdam.
He is responsible for some of this decade's most original New
Zealand films. His debut feature Woodenhead, a Grimm inspired
musical fairytale, became a cult hit in New Zealand, and has
screened in international festivals as well as being distributed
in the U.S.A. by Olive Films. The film is renowned for the innovation
of recording the entire soundtrack first, (including the dialogue
with different actors) before shooting the visuals for the film.
This was followed by iconic documentary Kaikohe Demolition which
was released theatrically throughout New Zealand and won best
digital feature at the New Zealand Screen Awards. It is studied
in Universities and Schools throughout New Zealand, and has
been screened on Television locally and internationally.
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In 2008 Florian completed the hybrid documentary Rubbings From
a Live Man, a documentary performed by and based on the life
of performance artist Warwick Broadhead. Broadhead re-enacts
the highest and lowest points of his life through various alter-egos
and vignettes that lavish his story upon the screen.Rubbings
from a Live Man has screened in Festivals and Galleries in Sydney,
Edinburgh, Dublin, New York, Berlin and throughout New Zealand.
www.rubbingsfromaliveman.com
In July 2009 Florian unveiled Land of the Long White Cloud.
The documentary returns to the Northland locales of Kaikohe
Demolition, but moves on from crashing cars to a five-day fishing
competition held on 90 Mile Beach. The film premiered in July
2009 in Auckland shortly before he took up the inaugural Harriet
Friedlander New York Artist Residency from the New Zealand Arts
Foundation.
Florian recently returned from his year in New York with his
latest film born from his experiences there. Love Story has
been picked to open the 2011 Auckland International Film Festival.
"Florian is a surprising, resourceful, thoroughly independent
film-maker and artist. He is a true original - at once a fantasist
and a documentary-maker, a dreamer and an observer."- Gregory
O’Brien, New Zealand City Gallery Wellington Curator and
advisor for the New Zealand Arts Foundation.
Filmography
Liebesträume (2000), Woodenhead (2003), Kaikohe Demolition
(2004), Rubbings from a Live Man (2008), and Land of the Long
White Cloud (2009). |
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Masha
Yakovenko: Actor
Masha was born in Russia to Ukranian parents. She describes
a feeling of being an alien of sorts in both countries, never
spending a school year in Ukraine nor a summer in Russia.
In 1998 Masha moved with her family to the United States and
she finished high school in suburban American Midwest. She moved
to New York in 2003.
Masha studies psychology, art and theatre. Masha says that acting
forces you to make a choice where there is no correct one. "In
some way I grew up with the idea that everything has a solution,
like math, there is a goal and you just have to figure out how
to get there, but that goal is definite and predetermined. I've
come to regard this way of seeing as untrue and impossible because
we are the ones that infuse life with meaning. I've spent the
last 10 years learning to 'get out of my own way' and acting
is one of the best tools. It is terrifying and it is child's
play."
Masha is currently involved in a project with theatre company
Waxfactory.
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Masha on Love Story
Masha enjoyed the interaction with Florian as actor/director
and the reality of the interactions in Love Story.
When asked to describe how it was to be in a film written by
people on the street, she answered; "It affected me through
Florian, I just see him as a flower with a multitude of petals
and they are all different colours. I loved it." |
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| Love Story
world premiere party at the Civic Wintergarden. Pictured: Marc
Chesterman, Bob Van der Wal, Florian Habicht, Peter O'Donoghue,
Maria Ines Manchego, Jon Baxter. |
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Frank Habicht: Actor and primary bathtub skype advisor
Frank is
Florian’s Father, brother and best friend. Frank is
Florian’s filmaking ‘coach’ in Love Story.
Frank was super excited about his son making a film in NYC,
and would regularly check the weather in NYC from his home
in the Bay of Islands during the shoot and offer advice and
ideas via skype.
Frank taught Florian b&w photography and has acted in
his sons films Liebestraume, Rubbings from a Live Man, and
played Santa in Kaikohe Demolition. (Not the Santa the kids
attacked one year…)
Born in
Hamburg in 1938, Habicht began his career as a photographer
in 1960 attending the Hamburg School of Photography, from
which he graduated in 1962.
He quickly became established as a freelance photographer
and writer in Europe submitting works to be published in magazines
including Camera Magazine, Spigelreflex Praxis, Twen, Jasmin,
Esquire, Hoer Zu, Die Welt, Sunday Times (UK) and The Guardian.
Habicht also gained employment working as a stills photographer
for film directors, Bryan Forbes, Roman Polanski and Jules
Dassin (1965-68), as in-house photographer for the Playboy
Club in London (1970) and as a freelance photographer for
Top of the Pops (1969). These encounters provided Habicht
direct access to international pop idols and film stars who
became subjects of his most celebrated photographs and included
Mick Jagger, the Rolling Stones, actor/director duo Jane Birkin
and Serge Gainsbourg, actors Vanessa Redgrave, Marty Feldman
and Christopher Lee, director Roman Polanski and photographer
Lord Lichfield.
Habicht’s images capture the uninhibited spirit of the
1960s offering a glimpse into the heady period that still
manages to arrest the imagination some forty years later.
His book Young London, Permissive Paradise, a social document
on London's youth, was published in the late sixties. Another
photographic book, In the Sixties (Tandem Press & Axis
Publishing London 1997), juxtaposed those who achieved international
fame with the unnamed people not recorded in history books.
Florian Habicht’s new film project Permissive Paradise
is inspired by Frank’s experiences as a photographer
in London during the sixties.
In 1981 Frank left a successful international career to reside
in New Zealand’s Bay of Islands, drawn to this unique
country for its beauty and tranquillity. He now spends much
of his time devoted to creating images that celebrate the
landscape and community in and around the Bay of Islands where
he lives. His two books, Bay of Islands Where the Sunday Grass
is Greener an acclaimed satirical pictorial on New Zealand’s
Bay of Islands with Kiki and Helme Heine and his recent Bay
of Islands A Paradise Found with Bob Molloy (Totara Press,
Paihia 1995) capture the fun and friendship to be found in
this stunning part of New Zealand.
In October 2004 Frank exhibited his Karma Sixties collection
at the Colette Gallery in Paris. In July 2007 Random House
published Frank & son Florian Habicht’s photographic
book I DO .
Frank’s Auckland exhibition in June 2007 Hightide and
Green Grass attracted nationwide critical acclaim and New
Zealand’s current affairs TV show Sunday paid homage
to his work of this immortal decade.
A party in the spirit of the 'The Sixties' was held in Moscow
on April 18, 2008 at the exclusive Arterium Gallery to celebrate
the opening of Habicht's exhibition. Paris Hilton was one
of the celebrity guests. Funds were collected by the charitable
foundation Peace Planet in aid of orphaned children.
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www.frankhabicht.com
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Maria
Ines Manchego: Director of Photography (drama)
Aucklander
Maria Ines Manchego is a photographer, cinematographer and
director living in hipster ground zero - Brooklyn, New York’s
Williamsburg.
She studied Film and Philosophy at Auckland University and
then went on to complete a one year certificate programme
in General Studies at the International Centre of Photography
in New York City.
Maria Ines has worked in the New Zealand film industry for
several years. She assisted Vincent Ward on River Queen
and Armagan Ballantyne on The Strength of Water.
She has worked in a film production company in Sydney and
on small independent films in Los Angeles and New York such
as Breaking Upwards.
Maria Ines now works as a director at The Colony,
a New York based collective made up of directors, designers,
animators and artists set up to pool resources and create
advertising. To date she has made commercials for Vietnam
Airlines, Hangar One Vodka and HBO.
She is part of and exhibited with BADCAT Collective
(Brooklyn Association for the development of Camera based
art theory). Her video installation Doorsien Cast was
exhibited at the International Center of Photography and her
solo photography project Civic Haze was selected
in 2010 (when it was still in development) for the Summer
Staged Competition, a group show in Chelsea NYC.
Maria Ines is currently working on a music video and short
film script. Love Story is the first feature she
has shot.
Maria Ines’ website
www.mariainesmanchego.com

Maria Ines on Love Story:
Working on Love story was a different, interesting and at
times demanding experience. When we shot it was a very hot
summer in New York, most of the time it was just the three
of us moving around the city with a melting cake.
We shot this unscripted and as guerrilla style as you can
get from attaching the microphone with sticky tape to my shoulder
mount, dealing with NYPD, and relying on the interaction and
unexpected results you get by shooting in a city full of characters
who aren't camera shy!
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Peter O'Donoghue: Editor
Peter O'Donoghue is a digital filmmaker and freelance editor
based in Sydney and working in Australia and New Zealand.
After collaborating informally on Florian's earlier films from
the sidelines, Peter first became part of the 'official' team
as editor on the 2009 documentary Land of the Long White Cloud.
This cemented the working relationship which was taken up a
notch with Peter's role as co-writer and editor of Love Story,
written, shot and edited (not always in that order) from mid
2010 to mid 2011. Peter takes great joy in wondering where this
creative partnership and bending of the rules will lead next.
In addition to helping make Love Story and doing some smaller
editing projects, Peter is also currently directing a long form
documentary on growing old in China, set in the parks of Shanghai
and Beijing and produced in association with Film Camp, Sarah
Wishart and the South Australian Film Corporation, which will
finish shooting late 2011 and be ready for release mid 2012.
He has made two short films, Hear No Evil which screened in
NZ and international festivals in 2008/09, and Super Man starring
Matthew Sunderland and Niamh Peren which will be released later
this year.
Peter’s website: www.peterofilm.com |
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Marc
Chesterman: Sound Designer Marc
has worked with Florian as either composer or sound designer
on Love Story, Land of the Long White Cloud, Rubbings From a
Live Man, Kaikohe Demolition and Woodenhead. They first worked
together on the 1997 16mm short film Liebestraume. These projects
have involved a large amount of collaboration and Marc has also
been responsible for locating much of the source music for these
films.
Other film projects include composition for Eating Sausage by
Zia Mandviwalla and sound mixing for Michelle Savill’s
Martin & Snakes. Marc created complimentary environmental
soundscapes and music for Animalia, an interactive video installation
created by Angela Main and Caroline McCaw.
Marc's career started as the drummer for alternative rock trio
Lushburger (1990-91). He went on to perform & release CDs
with experimental rock band Sudersuk (1994-98), performance
group Sone (1996), and with the improvising trio Audible 3 (1999-2007).
Marc’s film soundtrack work developed out of sound design
work in theatre for numerous companies including Auckland Theatre
Company, Massive and Pandemonium. He toured internationally
with Mau Dance Theatre attending Venice Biennale 2003, Holland
Festival 2005, LIFT Festival London 2007 and Mostly Mozart Festival
New York 2008.
Amongst sound and music projects Marc also works as a Studio
Operator for Radio New Zealand in Wellington & a Sound Assistant
for Sky Television.
Marc's website: www.marcchesterman.net
Marc on Love Story:
The film itself contains a story about the making of a film
so we thought why not use 'film music'? Ennio Morricone and
Nino Rota are two of our favourite and most inspiring film composers
as well as some of the biggest names in the world of film composing.
It's a simple equation; you’ve got to love the music that
goes into the film, be it composed or licensed (and that box
is certainly ticked) then of course you've got to marry the
sound with the pictures and the narrative feeling.
There's quite a swift pace to this film so the music compliments
that with a jazz feel that is predominantly about momentum and
forward progression, pushing against time. The tracks are not
overly emotive, they don’t tell you to feel a particular
way - they’re more about momentum and providing energy
and drive.
There's also a fine between reality and fantasy in Love Story.
The music and sound both play a role in identifying those scenes
and spaces to the audience. Early edits of the film saw all
sound completely disappearing during fantasy scenes. Now what
we've ended up with is a very slight layer of sound in the distance.
I love this line between just being able to make out sound...
and silence. |
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Credits |
| pictures
for anna
presents
a florian habicht film
in association with the
new zealand film commission
and the arts foundation of new zealand
laughing whale films limited
& metropolis film limited
Love Story
Starring Masha Yakovenko, Florian Habicht, Frank Habicht and the
people of NYC
Written by Florian Habicht, Peter O’Donoghue and the people
of NYC
Director of Photography: Maria Ines Manchego
Editor: Peter O’Donoghue
Sound Design: Marc Chesterman
Music by Georges Delereu, Nino Rota, Ennio Morricone, Marc Chesterman,
Killer Ray, Lalo Schiffrin
Re-recording mixer: Phil Burton
Soundtrack mixed at Underground Sound, Wellington
In association with the New Zealand Film Commission and the Arts
Foundation of New Zealand
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NZ
distribution: Gordon Adam, Metropolis Film Ltd |
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